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A blog where we post whatever we want. A focus on music, obscure film, and more. Many links are our own uploads, but just as many are taken from other blogs. If you have a problem with us having your links on our blog, we are glad to take them down. Female Trouble is maintained by Garrett (ZOOM LENS), Michelle, and Megane-Kun (Drink Cold). If there is something that you think we may have that you wish to ask for, do not hesitate to ask us! Please email gyyguy@yahoo.com. The Female Trouble email is not checked.
Showing posts with label rap. Show all posts
Showing posts with label rap. Show all posts


Ultra-violence and erotic-grotesque, lyrical themes revolving around Nazi symbolism, anal rape, and Steve Harvey that make Brotha Lynch Hung seem like Will Smith, the Odd Future collective (or more properly known as OFWGKTA [Odd Future Wolf Gang Kill Them All]) are the next revolution of underground hip-hop. Their popularity already snowballing during the past year, the collective has been compared to the likes of Wu-Tang Clan, and although this may be a label put on any new aspiring rap group that is getting their fair share of press, the term is very fitting here, with the Odd Future collective spanning over a vast amount of members including that of "leader" Tyler, the Creator, his brother Earl Sweatshirt, Domo Genesis, Left Brain, Hodgy Beats, and many others to boot. Each member often appearing on each others albums and even during live shows the stage is shared equally by the members, trading off and performing with other members on songs.



Tyler, the Creator is perhaps the most well known of the group, followed by his brother Earl (who is supposedly in bootcamp right now after his Mother had heard his album). Tyler's album Bastard was finished when he was only 17/18, and Earl finished his earlier this year at the age of 16. Both albums possess a dystopian, darkly ambient feeling that clashes perfectly with the raw vulgarity present.



The whole crew themselves are young, ranging from the age of 16-21, they produce their own beats and push forward a visual style in both video and album art which is almost as abrasive as their lyrics. The effect of their music is quite polarizing, but if you look beyond the surface you'll see past the wrongly accused label of "horror-core" and see something much deeper, almost depressive, with Tyler's album, Bastard, often referencing the father he never knew. Despite all this though, many of the members show a strong sense of intelligence, self-awareness, and tongue-in-cheek lyricism that goes far beyond the years and the skills of their peers in the rap game. Groups like MellowHype (consisting of Left Brain and Hodgy Beats) and Mike G focus less on the vulgarity and explore more ethereal and experimental forms of hip-hop. There isn't much to say about this group that hasn't been said already. You'll either love it or hate it upon listening. To all the Female Trouble readers, I'm more than positive you'll enjoy.


Tyler, the Creator- Bastard
[DOWNLOAD]

Earl Sweatshirt- EARL
[DOWNLOAD]

OFWGKTA- Radical
[DOWNLOAD]

The rest of Odd Future's albums, mixtapes, singles, etc. can be downloaded directly from their Tumblr for free.

-Garrett

Saturday, April 10, 2010 at 6:53 PM Posted by FEMALE TROUBLE 5 Comments

I believe I posted an EP of their's earlier, but I thought this album deserved a post as well, so to reintroduce this group....

group_inou consists of two people, imai (track producer) and cp (vocals). group_inou combines video-game like instrumentation with an almost punk-like approach to hip-hop. The groups' music is extremely feel good, but also rings in with a sort of nostalgia in their chiptune sound that makes guys like me weep bittersweetly.


"YESSSSSSSSSSSSSSS!"

I never really cared for much Japanese rap before, most of it I feel is an embodiment of Western culture, most of it being typified by people who are influenced by white youth who in turn themselves are trying to embody black culture. So basically, Japanese people trying to act like white guys who are trying to act like black guys. This may be a bit generalized, yes, but I feel that group_inou is one of the few rap groups I have heard from Japan that actually sound purely Japanese. I mean, how many cheesy Engrish hooks can you hear in group_inou's music? Not any really.



With that being said, group_inou is something unique, something amazing, but something that may not be appreciated among everyone due to it being quite unorthodox, especially in comparison to Western rap. But for those who are open to something a little different, perhaps even challenging to your current perception of rap, then group_inou will more than likely win a place in your heart. FAN has become one of my favorite albums from Japan.


Myspace: http://www.myspace.com/groupinou
Official Site: http://g-a-l.jp/group_inou/

-Garrett


[Download (192 kbps)]

Since a large percentage of posts by me have been purely Japanese music, I figured this would be a nice change of pace.

Binary Star was a short-lived hip-hop duo formed in 1998. One half One Be Lo, and the other half Senim Silla. They met each other in Hiawatha Correctional Facility where One Be Lo devoted his time to extensively researching the music industry, where in his words, he learned "how to hustle legally." They debuted with the album 'Waterworld' on Terrorist Records in 1999 on a budget of $500, which was followed with a tour across Michigan (due to the fact that both were still on parole and could not leave the state). Switching over to Subterraneous Records, they released this record, 'Masters of the Universe,' which was essentially a remixed version of 'Waterworld,' yet it garnered much more attention than it's predecessor. Due to creative and personal differences the group was no more by 2000.

I can't say that my knowledge on hip-hop is the best, but I'm familiar with some of the 'classics,' and this is definitely one of them. Masters of the Universe is far by one of the most profound and intelligent hip-hop records I have come across. The production being comparable to Wu-Tang Clan's '36 Chambers' in it's gritty and raw approach with the lyrical skill akin to Mos Def & Talib Kweli's 'Black Star' album in it's self-awareness (as well as in it's critique of the fellow hip-hop community) and slightly philosophical undertones, even at 24 tracks there is no filler, each song is unique in it's own right. This is obviously an album that was made putting in every drop of one's own sweat and tears.

For those who long to embrace all that is good in hip-hop, or for those who's faith need be restored, Masters of the Universe is one of the finest hip-hop records ever made.





"You ain't never heard an emcee speak like this, and Rodney King ain't never felt a beat like this"
-Garrett

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