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A blog where we post whatever we want. A focus on music, obscure film, and more. Many links are our own uploads, but just as many are taken from other blogs. If you have a problem with us having your links on our blog, we are glad to take them down. Female Trouble is maintained by Garrett (ZOOM LENS), Michelle, and Megane-Kun (Drink Cold). If there is something that you think we may have that you wish to ask for, do not hesitate to ask us! Please email gyyguy@yahoo.com. The Female Trouble email is not checked.
Showing posts with label Shinsei Kamatte-Chan. Show all posts
Showing posts with label Shinsei Kamatte-Chan. Show all posts
Wednesday, April 6, 2011 at 3:58 AM Posted by FEMALE TROUBLE 5 Comments


Shinsei Kamattechan may very well be the biggest thing in alternative rock in Japan since Number Girl. In December they released this album (Tsumanne) along with a major label album entitled Minna Shi Ne and are currently in the process of starring in a film directed by Yu Irie. Their chaotic live shows have gained them quite an amount of notoriety and it's safe to say that their albums very much capture that intensity. Tsumanne is an epic apocalyptic ambient-pop trip filled with anthemic noise-rock, chilling processed vocals, incomprehensible melodies layered over and over each other and gltiched out drums, at times the music reminds one of the obscure avant-pop of Yapoos mixed with the short stories of Kafka processed through headphones. Endearingly strange, Shinsei Kamattechan have very much pushed the boundaries of music with this album and have may already launched themselves among the ranks of legends in Japan. This is one album that all Japanese music fans must here.







*Note, the last two PVs were recorded roughly 1 or 2 years ago and were re-recorded on this album*

-Garrett

Friday, September 3, 2010 at 3:17 AM Posted by FEMALE TROUBLE 1 Comment

[Download]

Shinsei Kamatte-Chan is a fairly new band to the Japanese music scene and are definitely one to start keeping an eye on. Their sound can be likened to other contemporary Japanese groups such as Urbangarde and Midori in their somewhat avant-garde approach to pop music. Singer Kono sings and yelps like a drunken Takkyu Ishino who came across a bit too many distortion pedals and pitch shifters, while leader Mono happily plays at his piano laying down a nice melodic background which often times cannot even protrude out of the layers of guitar and noise that surround it. Shinsei Kamatte-Chan are certainly not the most bizzare sounding band out there, but their attention to such subtle detail and their ability to keep themselves subdued at the right moments make them something truly unique. Listening to 友だちを殺してまで is like slowly watching someone lose their mind. Each track exposes a different side to the band and it is perhaps with the track "学校に行きたくない" where the band hits a mark of chaos so noticeably.





友だちを殺してまで is at times both uplifting and utterly disturbing, beautiful and jagged. I haven't heard a band like this in a long time and for their first release, this album shows experience beyond their years. Great potential is shown here and I can only hope that their music gains a bigger and well-deserved fan base.

Thank you to Japshare, where I discovered this album.

-Garrett

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